001
‘The sea connects us’
lightfast inkjet on gloss paper passport photo type format.
250 h x 800 cm aprox.
This artwork is development from television images of people migrating from around the world and running into problems with various country policies on immigration and asylum seekers.
002
'Darwin and Union Jack and trying to find my ancestors’
Lightfast inkjet on gloss paper passport photo type format and pins
270 cm high x 160 cm wide
This artwork is rich in imagery and associations and incorporates images from Victorian books on ethnic stereotypes.
008
‘Deadwood Skulls’
Inkjet print on gloss passport format paper and wire.
120 x 100 x 90 aprox
Three skull forms using reference images of flags, portraits of people of the world from Victorian stereotype
010
‘Bookstripes of Power’
Lightfast Inkjet on Fabric over stretcher and mirrors. unfin 2003
130 x 300 cm aprox.
Images of school textbooks stretched to visual breaking point.
Shredded school textbooks with jacket covers printed in reverse so reflections are the only way to make sense of the content of the books.
013
‘Divided Circle’ (history repeats itself).
Lightfast inkjet on fabric and stretcher.
240cm x 240cm.
In response to September 11 terrorist attacks and a combination of school exam artwork from 1940 found in a junk shop which reads ‘Nation Shall Speak Peace Unto Nation’ and numbers to zero.
003
'Between the Lines’
Inkjet on book pages, acetate and pins
160cm h x 220 cm x 10cm deep.
The artwork explores the combination of shaman’s jacket and book pages and acetate with colonised place names.
004
‘Francis Xavier Many seeds Many Religions’
Inkjet on book pages, shaped postcards and pins.
190x160cm.
The artwork developed from the awareness of the effects that the Catholic Church had on the city of Malacca in Malaysia.
